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For discerning bibliophiles and readers who enjoy unforgettable classic literature, 1001 Books You Must Read Before You Die is a trove of reviews covering a century of memorable writing. Each work of literature featured here is a seminal work key to understanding and appreciating the written word.The featured works have been handpicked by a team of international critics and literary luminaries, including Derek Attridge (world expert on James Joyce), Cedric Watts (renowned authority on Joseph Conrad and Graham Greene), Laura Marcus (noted Virginia Woolf expert), and David Mariott (poet and expert on African-American literature), among some twenty others.Addictive, browsable, knowledgeable—1001 Books You Must Read Before You Die will be a boon companion for anyone who loves good writing and an inspiration for anyone who is just beginning to discover a love of books. Each entry is accompanied by an authoritative yet opinionated critical essay describing the importance and influence of the work in question. Also included are publishing history and career details about the authors, as well as reproductions of period dust jackets and book designs.
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What to read next is every book lover's greatest dilemma. Nancy Pearl comes to the rescue with this wide-ranging and fun guide to the best reading new and old. Pearl, who inspired legions of litterateurs with "What If All (name the city) Read the Same Book," has devised 170 thematic reading lists that cater to every mood, occasion, and personality. These annotated lists cover such topics as mother-daughter relationships, science for nonscientists, mysteries of all stripes, African-American fiction from a female point of view, must-reads for kids, books on bicycling, "chick-lit," and many more. Pearl's enthusiasm and taste shine throughout in this lively and informative illustrated guide.
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The book has no illustrations or index. Purchasers are entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Subjects: Best books; Books and reading; Literary Criticism / Books
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An engaging, accessible guide to educating yourself in the classical tradition.
Surrounded by more books than ever, readers today are frequently daunted by the classics they have left unread. The Well-Educated Mind, debunking our own inferiority complexes, is a wonderful resource for anyone wishing to explore and develop the mind's capacity to read and comprehend the "greatest hits" in fiction, autobiography, history, poetry, and drama.
Far from tossing readers into the swarming sea of classics and demanding that they swim, this book offers brief, entertaining histories of five literary genres, accompanied by detailed instructions on how to read each type. The annotated lists at the close of each chapter—ranging from Cervantes to A. S. Byatt, Herodotus to Paul Gilroy—preview recommended reading and encourage readers to make vital connections between ancient traditions and contemporary writing.
Based on the same classical method as Bauer's terrifically successful The Well-Trained Mind, The Well-Educated Mind provides not only a thorough grounding in the classics but also a widely applicable foundation for self-education.
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THE NATIONAL BESTSELLER
At the age of forty-eight, writer and film critic David Denby returned to Columbia University and re-enrolled in two core courses in Western civilization to confront the literary and philosophical masterpieces -- the "great books" -- that are now at the heart of the culture wars. In Great Books, he leads us on a glorious tour, a rediscovery and celebration of such authors as Homer and Boccaccio, Locke and Nietzsche. Conrad and Woolf. The resulting personal odyssey is an engaging blend of self-discovery, cultural commentary, reporting, criticism, and autobiography -- an inspiration for anyone in love with the written word.
David Denby, New York city movie critic and journalist, entered Columbia University in 1991 to take the university's famous course in "Great Books." This is the course that, in preserving the notion of the western canon without apology to multiculturalists and feminists, has been an unlikely focus of America's culture war in recent years. Where other universities have caved in and revised or enlarged the canon, Columbia's course has remained intact. Denby's intention as a writer and protagonist in the culture war was to record the experience and the personal impact of the course. He has produced a cry from the heart in favor of the classics of western civilization, relaying with infectious enthusiasm how literature touched his soul.
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