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“A planet-stomping space opera that bursts off the page like a tactical nuke.”
–John Birmingham, author of Weapons of Choice
The Hammer Worlds–the most brutal and oppressive interstellar government in the universe–have hijacked the Federated Worlds cruise ship Mumtaz, seizing its valuable terraforming cargo and damning its passengers to mining the moons of the prison planet known as Hell.
For Junior Lieutenant Michael Helfort and the crew aboard deep space scout vessel 387, the mission is clear: infiltrate enemy territory, locate the Mumtaz, and rescue the prisoners.
The odds are appalling, and the damage will probably be fatal, but victory is nonnegotiable–especially for Helfort, whose mother and sister were on the Mumtaz.
And Michael Helfort will be damned if he’ll let his family rot on the moons of Hell.
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From the very beginning, we have struggled to understand time, matter and the infinite universe; who we are, where we are headed, and if we are alone. Great minds — and some of the genre’s most legendary writers and directors — have now imagined the most wonderful and terrifying answers to these questions. Join host Professor Stephen Hawking for these six expeditions into the outer realms of scientific imagination, starring such award-winning actors as Sam Waterston, Judy Davis, Anne Heche, Malcolm McDowell, Clifton Collins Jr., Terry O’Quinn, Elisabeth Röhm, John Hurt, Sean Astin, James Denton, Brian Dennehy, James Cromwell and more.This collection features all six episodes of the acclaimed series, including the two ‘lost’ episodes — Little Brother and Watchbird — never broadcast during its original network run.
A wealth of Hollywood talent brings to life six thought-provoking short stories by legendary authors of science fiction in this criminally underrated anthology series. Produced by the same team who brought
Masters of Horror to television,
Masters of Science Fiction takes a decidedly literate route with its stories--though production values are top-notch, it's the material, and the message behind them, that drives the episodes. The moral complexities of war are examined in Robert Sheckley's "Warbird" (one of two episodes on the set making their debut on this DVD) and "The Awakening," by Howard Fast, while Robert Heinlein's "Jerry Was a Man" and Harlan Ellison's "The Discarded" challenge the definition of humanity. Elsewhere, Walter Mosley explores justice in a draconian future ("Little Brother"), while Nebula winner John Kessel's "A Clean Escape" delivers a
Twilight Zone-style sting with its story of a psychiatrist (Judy Davis) attempting to uncover a truth hidden in the mind of her patient (Sam Waterson). The cast in the latter episode is indicative of the level of talent in front of and behind the camera for
Masters of Science Fiction; among the other players are Terry O'Quinn (
Lost), James Cromwell, Brian Dennehy, John Hurt, Anne Heche, Malcolm McDowell and Sean Astin, while directors include Mark Rydell, Harold Becker, Michael Tolkin and Jonathan Frakes, and scripts are penned by Ellison, Mosley, and Hugo winner Sam Egan. The emphasis on strong and evocative stories and performances over special effects does much to draw parallels between Masters and such classic genre anthologies as the aforementioned
Twilight Zone and
The Outer Limits; it's unfortunate that the program wasn't given more of a chance to develop an audience during its brief network run. Equally disappointing are the lack of any supplemental features in the two-disc set.
--Paul Gaita
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“Ellen Datlow is the queen of anthology editors in America.”
–Peter Straub
With original stories by Jeffrey Ford, Pat Cadigan, Elizabeth Bear, Margo Lanagan, and others
From Del Rey Books and award-winning editor Ellen Datlow, two of the most respected names in science fiction and fantasy, comes a collection of fifteen all-new short stories, plus a science fiction novella, that could count as a virtual “best of the year” anthology. Here you will find slyly twisted alternate histories, fractured fairy tales, topical science fiction, and edgy urban fantasy.
In “Daltharee,” World Fantasy Award-winning author Jeffrey Ford spins a chilling tale of a city in a bottle–and the demented genius who put it there. In “Sonny Liston Takes the Fall,” John W. Campbell Award-winning author Elizabeth Bear pens a poignant and eerie requiem for the heavyweight forever associated with his controversial loss to Cassius Clay. From hot new writer Margo Lanagan comes “The Goosle,” a dark, astonishing take on Hansel and Gretel. In the novella “Prisoners of the Action,” Paul MccAuley and Kim Newman take a trip down a rabbit hole that leads to a Guantanamo-like prison whose inmates are not just illegal but extraterrestrial.
Many of the writers you’ll recognize. Others you may not. But one thing is certain: These stars of today and tomorrow demonstrate that the field of speculative fiction is not only alive and well–it’s better than ever.
From the Trade Paperback edition.
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The makers of
Planetary Traveler return with another wordless voyage through computer-generated worlds.
Infinity's Child, however, leaves behind the recognizable if digitally realized landscapes from that first effort; this time, the images border upon the abstract. A brief voice-over at the opening informs us that the Phleig explorers from
Planetary Traveler have tracked down one of their spacecraft circling abandoned above a mysterious planet. For the next 40 minutes we hear nothing but an electronic score alternatively droning and bouncing along as images drift by, undergo some transformation, then fade away again. Translucent rocks lazily roll upon a crimson sea; a watery substance ripples with golden light; crystal spires rise up from oceans.
These visions can be quite lovely (though some are uselessly busy and crammed with mathematically derived detail--a common problem with this sort of thing), and the film's plotless nature makes it easy to follow the drift of the animator's fancies. Infinity's Child can't match the fresh-eyed wonder of the "Stargate" sequence in 2001, but on its own terms it makes for pleasant viewing. DVD features include access to a demo version of the software used to make the film, for those interested in CGI technologies and techniques. --Bruce Reid
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