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Without signing the documents that would permit adoption, young Theresa Cameron's mother placed her little daughter under the aegis of Catholic Charities, and then the mother vanished forever.
During the 1960s and 1970s this abandoned, unadoptable child was shuttled through foster homes in the vicinity of Buffalo, N.Y. Insecure, desolate, and frightened, she was rotated through group homes and the houses of alien families, the victim of religious hypocrisy, racial prejudice, and insult.
Theresa remained in this bleak, shame-imposing limbo until she was eighteen. Foster Care Odyssey is her candid story.
"What little I owned," she writes, "could have fit inside my usual moving-day luggage--a couple of shopping bags. Besides my clothing, I only had a few school supplies. Like the other girls at the group home, I attached very little sentimental value to the items I owned. . . . The only thing of value that could not be taken away from me were my thoughts."
Theresa places her narrative against the backdrop of the civil rights movement in blue-collar Buffalo, where mixed-race foster homes were almost unknown and where she witnessed a welfare system that accorded only marginal benevolence to children, particularly black children caught in the squeeze of bureaucratic machinery.
As she passed through her turbulent teenage years, she acquired both a strong will and a tough veneer to shield herself from the many hurts in a restrictive world infused with racism and institutional segregation.
Her coming-of-age narrative voices plainspoken criticism of the pernicious system which engulfed her and other helpless abandoned children.
Theresa Cameron is an associate professor of planning in the College of Architecture and Environmental Design at Arizona State University. She has been published in the Journal of Health and Social Policy, Policy Studies Journal, and Landscape and Urban Planning.
Copublished with the Center for American Places
Product Description
Without signing the documents that would permit adoption, young Theresa Cameron's mother placed her little daughter under the aegis of Catholic Charities, and then the mother vanished forever.
During the 1960s and 1970s this abandoned, unadoptable child was shuttled through foster homes in the vicinity of Buffalo, N.Y. Insecure, desolate, and frightened, she was rotated through group homes and the houses of alien families, the victim of religious hypocrisy, racial prejudice, and insult.
Theresa remained in this bleak, shame-imposing limbo until she was eighteen. Foster Care Odyssey is her candid story.
"What little I owned," she writes, "could have fit inside my usual moving-day luggage--a couple of shopping bags. Besides my clothing, I only had a few school supplies. Like the other girls at the group home, I attached very little sentimental value to the items I owned. . . . The only thing of value that could not be taken away from me were my thoughts."
Theresa places her narrative against the backdrop of the civil rights movement in blue-collar Buffalo, where mixed-race foster homes were almost unknown and where she witnessed a welfare system that accorded only marginal benevolence to children, particularly black children caught in the squeeze of bureaucratic machinery.
As she passed through her turbulent teenage years, she acquired both a strong will and a tough veneer to shield herself from the many hurts in a restrictive world infused with racism and institutional segregation.
Her coming-of-age narrative voices plainspoken criticism of the pernicious system which engulfed her and other helpless abandoned children.
Theresa Cameron is an associate professor of planning in the College of Architecture and Environmental Design at Arizona State University. She has been published in the Journal of Health and Social Policy, Policy Studies Journal, and Landscape and Urban Planning.
Copublished with the Center for American Places

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Here is the original story of a true original, the celebrated and internationally renowned director, playwright and screenwriter Arthur Laurents, whose creative genius continues to energize American stage and screen today. Say his name, and images of West Side Story, Gypsy, Anastasia, The Turning Point, and The Way We Were appear. LaurentsÕ highly praised memoir is a dazzling portrait of his life - as he recounts the great moments, the trials and the joys of his incredible career. He takes us into his world, peopled with the creative artists, directors, actors and personalities who came of age in the theatre and in Hollywood after WWII. Later, back in New York, he writes about jump-starting Barbra StreisandÕs career by casting her in I Can Get It for You Wholesale. He writes about the creation of Gypsy with Jule Styne and Stephen Sondheim. And he writes about coming together in a complex, fraught collaboration with his three old pals, Jerome Robbins, Leonard Bernstein and Sondheim for West Side Story. Throughout, Laurents is funny, fierce, and frank - a life recounted as richly as it was lived. "This is a historic work. A ÕmustÕ for show biz mavens." - LIZ SMITH, Newsday & Syndicated
Best known as the author of scripts for such hit musicals as
West Side Story and
Gypsy, Arthur Laurents began his career writing strong, socially conscious plays like
Home of the Brave and
Time of the Cuckoo; he also has impressive credits as a screenwriter (
The Way We Were) and stage director (
La Cage aux Folles). Such a varied professional life makes for absorbing reading in this lively autobiography stuffed with famous names, including George Cukor, Katharine Hepburn, Barbra Streisand, and Stephen Sondheim, all of whom emerge vividly in thumbnail portraits ranging from affectionately frank (Stella Adler) to frankly unflattering (Jerome Robbins). Laurents, born in 1917, was a Marxist during his college years at Cornell, and he retains strong political opinions to this day: he has no use for bigots of any kind, and his memoir displays no inclination to forgive people like Elia Kazan, who named names during the 1950s. Yet the author also has a marvelous sense of humor (after critic Frank Rich inadvertently made public reference to Laurents's homosexuality, Laurents introduced him at a charity lunch as "the man who outed me as a liberal") and a zest for life that shines particularly in a loving portrait of his longtime companion, Tom Hatcher.
--Wendy Smith

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In May 1941, Fr. Jean Bernard was arrested for denouncing the Nazis and imprisoned in Dachau's "Priest Block," a barracks that housed more than 3,000 clergy (the vast majority Roman Catholic priests).
Priestblock 25487 tells the gripping true story of one remarkable priest's survival amid the inhuman brutality and torture of a Nazi concentration camp.
In 2004, this important book was made into the award-winning film
The Ninth Day. Introduction by Robert Royal. Preface by Cardinal O'Malley of Boston.
Praise for Priestblock 25487
''Stunning... Casts light into dark and previously neglected corners of the horror that was the Third Reich.''
–Richard John Neuhaus
''Fr. Jean Bernard's portrait of survival in a German concentration camp is simple, forceful and vivid and therefore impossible to put down or forget. Priestblock 25487 is a diary of Catholic discipleship under extreme conditions that ranks with the great 20th Century personal testimonies against totalitarian violence.''
–Archbishop Chaput
''Many hundreds of books have been written about German concentration and extermination camps. Of these, Priestblock 25487 is among the very best. Every scholar and student of that dreadful chapter of 20th-century history ought to read and ponder its contents.''
–John Lukacs, author The Hitler of History; and Five Days in London: May 1940
''From the opening scene in a Nazi interrogation room, Priestblock 25487 moves with page-turning urgency as it brings to life a side of history that is too often forgotten. I highly recommend this powerful and inspiring book.''
–Thomas E. Woods, author How the Catholic Church Built Western Civilization
''In its understated power, this brief book is unforgettable.''
–Michael Novak
''Important... luminous... Moves the reader to compassion and insight.''
–Rachelle Linner, Catholic News Service
''Deeply moving... The suffering of these priests for the sake of the loving God is one of the modern age's glorious mysteries.''
–Fr. George Rutler
''I found this compelling book hard to stop reading.''
–Tim Johnson, Today's Catholic
''Riveting... an important primary source for historians.''
–John Burger, National Catholic Register
''Absorbing... Beautifully written.''
–Erin Ryan, National Catholic Reporter
''A gripping story of heroism and horror that must never be forgotten.''
–First Things
''Should be treated as a meditation, even something to be read again and again... So profound it deserves a wide readership.''
–Barbara Stinson Lee, Intermountain Catholic
''A must-read for Catholics. Provides fresh anecdotal insight into the Vatican's battle against the Nazis... As this first-hand account shows in riveting detail, the mere rumor of clerical opposition on the outside sufficed to intensify suffering on the inside.''
–Daniel Cole, The Wanderer
''A gripping testimony of the brutal treatment Catholic clergy received at the hands of the Nazis.''
–William Donohue, President, Catholic League
''It is dramatic. It is brutally honest. I loved the book and could not put it down.''
–Teresa Tomeo, Ave Maria Radio
''I began reading this book on Friday night and finished the 175 pages in three hours. It was a book I could not put down or stop reading.''
–Rev. Steve Wood, St. John's Evangelical Church

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In this companion volume to his critically acclaimed first book,
The Tao of Muhammad Ali, Davis Miller turns his attention to a second iconic figure of the twentieth century--and another of Miller's own seminal influences: film star and martial arts legend Bruce Lee.
Just weeks after completing Enter the Dragon, his first vehicle for a worldwide audience, Bruce Lee--the self-proclaimed world's fittest man--died mysteriously at the age of thirty-two. The film has since grossed over $500 million, making it one of the most profitable in the history of cinema, and Lee has acquired almost mythic status.
Lee was a flawed, complex, yet singular talent. He revolutionized the martial arts and forever changed action moviemaking. But what has his legacy truly meant to the fans he left behind? To author Davis Miller, Lee was a profound mentor and a transformative inspiration. As a troubled young man in rural North Carolina, Miller was on a road to nowhere when he first saw Enter the Dragon, an encounter that would lead him on a physical, emotional, and spiritual journey and would change his life.
As in The Tao of Muhammad Ali, Miller brilliantly combines biography--the fullest, most unflinching and revelatory to date--with his own coming-of-age story. The result is a unique and compelling book.